Factual Programme Production- Theory

Task 1-
Accuracy- there has to be accuracy when making a program otherwise you can get into a lot of trouble.Accuracy is if the statement is true. Its important to have accuracy when making a factual programme because the audience need to trust you and your stories. For example if you keep on lying in documentary's and you're not giving the right facts people will stop watching and you can actually get into a lot of trouble with the TV company you work with. You also need accuracy when making a factual programme because you need to keep an audience for your programme. If the information is not correct people will not want to watch your programme no more and they will not trust what you say. Also audiences would prefer to listen/ watch a show that has reliable facts and not a show that may or may not be telling the truth. For example sometimes news anchors will make a story a lot more dramatic so then more people will watch the show or more people will be interested which in the end will result in the news team getting more money because the story would have gotten a lot of attention and people would have wanted to also use that story. But everyone wants the story because of how dramatic it is. However sometimes news anchors feel the need to make a story more dramatic than it already is. For example a disaster might happen and they might ask eye witnesses about what happened but because they still flustered from leaving the disaster they might miss out key parts of what happened so then the news will 'fill in the blanks'. They also ask eyewitnesses what happened so then people will find the news story more reliable and it intrigues audiences when they watch an eye witness tell their point of view of the story. Plus people would prefer to listen to a story that has took a long time to come out and it be accurate than a story that has been put together quickly and has unreliable facts.             

Balance- This is when you're showing both sides of an argument this can have anything to do with religious or political. When making a factual programme you need to make sure you're being fair otherwise you can lose viewers because they will not want to listen to your 'facts' due to them being one sided. Also when you are getting information its really important that you get both sides of the story so then people will enjoy watching your programme more and so then you're fair. If someone has a view and its glorified people will start to get bored of the show because they will always expect the show to only share what they consider to be the best part of the story. People enjoy being surprised and seeing debates and you wouldn't get that if you watched a factual show that's not fair. When expressing feelings on a story you have to make sure you're being fair because otherwise viewer's will feel like you are forcing an opinion onto them that they might not agree with. The only time it would possibly be acceptable for your a debate to be one sided would be if you where talking about children drinking underage and seeing if that's right or wrong. In conclusion its important that factual programmes have balance because if they don't you can offend people and cause a lot of arguments and harm.

Here is an example of the effects a programme can have if you don't have balance.
http://news.bbc.co.uk/1/hi/8321157.stm


Impartiality- Is when you look at both sides of the argument equally and you don't make your own judgments or take sides. When making an impartial judgment you have to make sure you don't bring your own opinion into the argument because viewers would not be happy and will then not trust the rest of the information you share. They will think every time you share important news you will be just giving your opinion and not actually sharing the honest news report. You can also get into a lot of trouble for sharing your own opinion seems as though its not actual facts its just your point of view. For example with the TV show 'Snog Marry Avoid?' a contestant will go on and will be dressed in what they think is beautiful and pretty and they would love their own style. But they go onto the show to see what it would be like to look 'normal' and the show has to show respect and be fair to the contestant. So even when they do change the way she looks if she says that she prefers how she looked before they would respect that. This shows that the programme is being fair and respects the other persons views. Its important for the show to be fair so then the viewers enjoy watching it more.


Objectivity- This is when you find the whole truth/all the facts about something and give your opinion but be fair about it. For example you could have a news story that could be really bad and you have to share the facts which might not be nice at all and you have to say the truth about them. But then you can say the bad things about it (to be fair) so then you can keep the viewers happy. After you have stated the facts and shared the news that you might not agree with you then give your opinion about the situation but do it in a manner so then the viewer will trust you with the information you are sharing. For example you can say that you have suffered through a similar situation. This can also help with future news story's because the viewer will have more trust in you and the story's you share.

Subjectivity- Is not used a lot in factual programming because it can prevent you from sharing the facts and might push you to share your own opinion. In some cases presenters might use this to try and manipulate the viewers to change their opinions but they don't use it that much because they can get in trouble for doing it if its not used in a good way. Also you have to state that its your opinion and that your opinion does not effect the story in anyway so then the viewer knows that you're not trying to change their opinion.

Opinion- Using words that can change peoples opinions and its not factual its more of a personal response. When a factual programme is being made and the producers need opinions they will need a wide variety of different people so then no one will be seen as a bias opinion.  You need to make sure the opinions you use are fair so then you don't offend anyone when making the show also do not give your own opinion because then people will no longer want to watch the show because they won't trust the interviewer.

Bias- Its important that you stick to the facts when making a factual programme because if you give your own opinion you will most likely only agree with one part of the argument. This is when viewers lose trust in you because you will not be sharing facts, views and different opinion from the public that are honest and factual. You have to make sure that you have the correct facts and statistics so then the viewers trust your information and will continue watching your factual programme/ factual programmes. When making the programme you have to make sure you share both sides of the arguments so then you don't seem biased to the viewers.

Representation- This is when something is described stereotypically. Factual programmes have to make sure they don't offend anyone in particular because if they do it can cause a lot of arguments and fighting. This can lead people to no longer what the factual programme and reporting the programme and people who made it.

Access- When making your factual programme you need to make sure that you have definitely got the correct information so then you are not breaking any laws. Also when you are making the factual programme you have to make sure that you have everyone's permission to use the information and other thing's.

Privacy- Everyone deserves privacy and that includes celebrities even though news teams collect information so then the public stay interested so then they don't stop watching the tv programmes. However sometimes they can go to far like some newspapers have hacked phones to get private information and obviously celebrities where not happy about that and they felt violated. This is not allowed and goes against many tv laws. News teams do this to try and get exclusive information that no ones heard about so then people stay interested and tell the friends about the programme so then the programme will make a lot of money and the people who made it will also get a lot of money too.

News Readers-
A news reader is someone who broadcasts the news from behind a desk. They're always dressed smartly and talk in a proper way. News readers are also very serious this way when people watch the news they take it very seriously and will trust the new channel/show. An example of a good news show would be ITV News Tyne Tees. This is a news show that is based in the UK and is known for being very serious.

Field Reporter-
Field reporters are similar to news reader except they go to the location where the story is happening. Some field reporters will travel across the world to go the location where the story is happening whether this is a dangerous place or not. Field reporters also have to dress quite formal so then people at home will take the seriously when they are giving out the news. Most of the time a field reporter will give the news live so the people get the feeling of what is happening there and it will intrigue them to watch more.

Interviews-

You need interviews in the media industry so then you can get good information from the source. For example you can interview victims from the story you're talking about and this will draw more viewers in because people like to know the information straight from the person and not from others because they will believe the victim more. People also like when you interview experts because this helps them learn more about the information too. Interviews are mostly held in the studio or sometimes at the location its happening.

Report Structure-

This is really important because it determines what you will being showing on the news first and what news information is the most important. If you put the most intriguing information first it will draw the viewers in and encourage them to keep watching.

Realism-

This is when the story is from a real person/ real situation. Realism effects the audience on a personal level because they will feel a close connection with the person who its happening to.

Factual Programme Production - Practical Clives assignment

Factual Programme Production - Practical

Pre-Production:

When I was looking for 5 documentary's I could not find many. When I went onto archive.com (https://archive.org/index.php) I could not find any at all. Then I looked on YouTube only to find non-professional documentary's about taxi drivers. But I think this shows that not many people have had the same documentary idea as me so people might not know a lot about the taxi driving industry and might not know what its truly like to be a taxi driver. So I think many people might be interested in my documentary idea.

The documentary's I found:

https://www.youtube.com/watch?v=vwgDmXoWWx4

https://www.youtube.com/watch?v=Vuv2jwhNyw8

Also when I knew I was making a taxi documentary I knew I would need other people to be in it. I wasn't sure if I was going to have another taxi driver be in it and get there point of view of working in the taxi business or if I was going to get a regular customer who Michael (the taxi driver I interviewed) picks up. Also if I got a customer they could give me there point of view of the taxi industry and see the difference threw different peoples opinions. In the pre production I also made a quick storyboard to see where I would like to film and to see who would be in the documentary. Also the storyboard helped me figure out what type of shots I would like to put in the documentary. In the pre production I had to figure out what time I would be filming with Michael and what time I would be filming with anyone else. When I figured out what time I would be filming with everyone I had to book out my equipment so then I could film with them. I originally booked out a black magic camera, tripod,H4 zoom mic but every time I got given a equipment there was a problem with it so used my own camera (Canon EOS 750D) and a H4 zoom mic.

Production-
When making the documentary I went to a bunch of different locations for example I went to the taxi firm, around different roads where Michael regularly works and I went to other locations too. I originally was going to interview one of Michael's customers who he picks up and takes to a old persons club but at last minute she had fallen ill so I could not interview her. So in the end I could only interview Michael. When I was filming the parts when we where driving in the car we had to make sure we didn't go down to many bumpy roads otherwise the shots would not look to good. However I didn't want to have the shots be too smooth otherwise it would take away the 'real' feeling you get when watching the documentary. I wanted it to feel as though you where there in the taxi, as though you where having a conversation with Michael. I got a few shots close to the Middlesbrough football stadium whilst the sun was setting so then I could give the documentary a nice, dramatic, emotional feeling. I was originally going to film Michael in his shed so then I could get some nice shots of him to show what he does in his down time as well but because I kept getting broken equipment I didn't bother booking anymore of it out.

Post Production-
I uploaded all of my footage onto the computer and started editing. When I first started editing I noticed that the audio I recorded had been corrupted so I had to go out and do the voice over again. But this can happen when making any kind of film. When editing I realised some of the footage I had was repetitive but I did have enough footage to change the documentary a bit so then it wasn't to repetitive. Also when I was editing the documentary I noticed I had just under 5 minutes of footage and I know I needed between 5-10 minutes of footage to make the documentary but because of all the time it took me to get good equipment I did not have enough time to go out and film again. When I finished with the documentary I exported it in the settings to Vimeo 1080p because the file was to big. When it finished exporting I uploaded it to Vimeo.
https://vimeo.com/home/myvideos

Evaluation-
In conclusion I know that my documentary could have gone a lot better but time management got the better of me and I couldn't get any better footage and the other person who I was meant to interview got ill. Basically, everything that could have been a problem, was a problem. But it was a learning curve and I know what to do next time if this happens (hopefully this doesn't happen). However I think I got soe unique information that not a lot of people have heard of before which was one of my aims at the beginning before I made te documentary. It could have gone better but it could have gone a lot worse.

Editing Theory (Clive's assignment)

The History Of Editing-

The Lumiere Brothers

Born-

 Auguste Lumiere was born October 19th, 1862, France 

Louis Lumiere was born October 5th, 1864, France 

 Died-                                                                                        Auguste Lumiere died April 10th,1954

Louis Lumiere died June 6th,1948

They where french brothers who where the first film makers in history. Also the brothers are famous for making the first moving picture film. This lead to them making the first cinematography and this is also where the word 'Cinema' came from. Other inventors attempted to make a photographically capture motion in a commercially successful  way but they failed unlike Auguste and Louis. For example Thomas Edison tried to use a devise that was called a kinetoscope and although it worked it only showed a 'short film' to one person at a time unlike the Lumiere brothers who created 'The Cinematographe' which projected short, 50 second films onto a big wall so then a large audience can watch the machine they made work and the films they made. This created, for the first time ever, a film audience. The films they made where not as good as todays films but because people had not seen anything like this before they thought it was amazing creation. People thought this because nobody had discovered editing yet or even camera movement. They brought out there first film December 28th 1895 in Salon Indien du grande café in Paris. The film's called 'Workers leaving The Lumiere Factory in Lyon' and its a short film of the workers (men and woman) wearing hats and the factory after a long day of work. Its a documentary in it's most elemental form.

http://www.openculture.com/2014/08/watch-the-films-of-the-lumiere-brothers-the-birth-of-cinema-1895.html  

 

Marie-George-Jean Melies-

Born- December 8th 1861 and is from France, Paris.

Died- January 21st 1938 in France, Paris.

Marie-George-Jean Melies who is also know as George Melies is know for being an amazing French illusionist and film maker. In the early 1900s he's also famous for many technical and narrative developments in the start of cinema making.  He made a historically famous little film called 'A Trip To The Moon' which was made September 1st 1902. Also George was the inventor of the jump cut. The jump cut was discovered when he was filming a bus leaving and the camera got jammed and when it started to work again there was another car in its place. This was a brand new discovery and this is how editing started to be discovered. It was also when they discovered that time was compressed and editing is all about time and compression. However he discovered this by accident but this accident improved film making hugely because without discovering this we might have been still watching one shot films.

Edwin Stanton Porter-

Born-April 21st, 1870, Pennsylvania, United States.

Died-April 30th 1941, New York City, United States.

Edwin Stanton Porter worked in a manufacturing company and in the Players film company. However Edwin was most famous for being a director, producer, studio manager and a cinematographer. Edwin made over 250 films in his life time. One of his most important films he made was called 'Jack and the beanstalk'. Edwin contributed to film making by creating new, electrical devises that actually improved communications throughout film making. One of the things he made that improved film making is the Beadnell Projector  

David Llewelyn Wark Griffith (D.W)-

Born- January 22nd 1875, Kentucky, United States.

Died-  July 23rd 1948, Los Angeles, United States.

David Llewelyn Wark Griffith who is mostly known as D.W Griffith is famous for being an American film director in the early 1900s  and he made a film called 'The Birth Of A Nation.' He was popular in the film making world because he was the first person to think about moving the camera to get different camera angles. Also he created something called the '180 rule'. This was when you had more than one camera but they where put on certain angles so you can not see the other cameras but you could see the actors from different angles. This was known as continuity editing. This helped the future of editing because without this we would not be able to give the audience the illusion of being in any film with the characters. Also it keeps the audience intrigued because they're wondering what shot might happen next/ what shot might happen next.

The purpose of editing-
One of the reasons you need editing because if every film was just one shot it would not keep the audience intrigued which means then you can not afford the equipment and other things to make ore films and people would not be interested. Also if there was no editing then you would have outtakes in the film (where the actors/actresses make mistakes or if a prop might break, etc) and that will distract people from the storyline. Also in the 1900s when they where trying and testing editing the producers and directors realised they will have to make the films shorter because they where to long and people where beginning to lose interest. The editing can also help the film with its narrative; by this it helps the audience receive information about the plot and the information throughout the film.  Using edits, it can define the information the audience will receive about the film that is being made. It can be the thing that will determine whether you like the character or hate them. Being able to edit a film professionally helps the film and the viewers so much because if it is edited right the audience will enjoy and might possibly want to see more films from same person. Editing can create danger or illusions that are not actually there when you are producing the film. You will add these in post production and it will help people be intrigued with the storyline and it will give suspense that you might not be able to create I your production. It can also help create a subconscious emotional connection with the film/characters.

The conventions of editing-

Jump Cut: A jump cut is a cut in film editing in which two sequential shot of the same object are taken from camera  positions that vary only slightly. This type of edit give the effect of jumping forward in time. It can create a magic illusion that can make a film a lot more interesting and its an interesting edit.

180 Rule: Different angles for people (actors/actresses) and so you don't see the cameras. This is good because it helps the audience feel like they're in the film with the characters. Also it keeps he audiences attention. Also known as continuity editing.

Dissolves (uses of): Is a word used to describe a transition effect in which one video clip (or image) gradually fades out while another image simultaneously places the original one. As though it moves in a fluid motion. They use this in post production/editing shows how time has passed between two scenes. I used this in my short film because it creates a dramatic motion/pause.

Shot- Reverse- Shot: A shot that views the action from the opposite side of the previous shot, as during a conversation between the two actors, giving the effect of looking from one actor to the other. It also gives the effect of the audience is involved with the conversation.

Cutting to a soundtrack: Cutting to a soundtrack is when the pace and beat of a song can determine how fast scenes can cut. It can also attract audiences attention because of the fast cuts it will make people think 'what will happen next?'

Pre-Production Theory

 

Pre-Production Theory.

 

 

 

It is important that you do the following before you make your first film because it will help you plan what you're doing before you start. If you start before you have made plan things might not go better than expected and you might not be able to keep up with what you have done which means you will get confused and it might take you even longer to finish your project of choice.

For if you're making a TV production-
 

Firstly, you need to make a choice of what type of production you're making for example TV, film or video. Different production's consume different time's. If you if you are making a TV production you need to know:

Script-
Scripts are what you need so the actor/ actress know what they are saying in your TV production. You will also need it because you need a original plan with out the script you would not be able to produce anything on TV. Also in the script it will tell you about what type of props you will need and why you need them. If you need props you need to let the set designer know before you start the production because if you don't then it might make things on set complicated. The script tells you where the location for the TV production is to but it tells you it more in detail in the call sheet. Also if when you're making a script don't write it on Microsoft word,you should write it on Adobe Story because it sets it out the way a script should be written which means it will make it look a lot more professional.
However when making a script you should take your time because you need to check it for spelling mistakes and make sure everything is set out the way you want it to be and they're no mistakes. The actors will also need to practice their scripts so they know what to do when it comes to their part. It might also take you a long time to find the right actor/actress for your TV production. Also you might have to wait some time so you can find/ get the right props and when you get the props you might have to hire them just like some of the filming equipment so you will have to find out how long you can have them and when you need to take them back to the person you hired them from.
When you make a  script it will say where you need to go and what thing you need in the production. These things will not come cheep so you will have a budget and the best thing you can do is to stick to it. You might need to pay for certain sets or pay to go to different places so you can film there and have permission. Also you will most likely have to pay for props which might cost a lot depending on your TV production idea. You will also need to pay your actresses/actors and your team because they might not do it voluntarily.

Script breakdown-

With the script breakdown you can go over your ideas again and find out what you need for you production. You need to do this so you're sure you have everything and you can tick it off when you collect it so you can keep up with the list and not get confused. It helps you make sure that you're prepared and you have everything so without it you might get confused and not keep up with everything. For example you might be doing a scene and not have the right props or not even have the props, or you might be doing a scene and realise you have not got the right actor/actress for the role. This will lead to you losing time when you could producing your TV production.
You need to talk with the people you're working with when making your production because you might say something and they might do the opposite because they did not understand you. This will cost you a lot of time when making your production.  You need to talk to them so they understand what you want them to do. You also need to communicate with the people filming or the set designer so they know what they need to do or what they need to get so you will be ready to film. Also with the script breakdown. You need communicate with the props/set designer person as well because they need to know what you need for your TV production.

Budget-

The budget is a big part of your TV production because if you don't have a big budget then you have work with what you can get which might mean your sets, props, actors/actresses, ect might not be the best. But it depends what type of TV production you're trying to do. However if you have a big budget you might be able to branch out and get better sets, props, ect. Also you should stick to the budget because if you don't you might spend a ridiculous amount of money on something but you still get the same feed back you would have when you would have spent less money and stuck toyour budget. You should see if you can find props for cheaper prices because it could save you a lot of money and you might be able to get more props for your sets. Make sure you don't pay a lot ofmoney on something you could have got cheaper.

Risk assessment-

You have to make a risk assessment to make sure people are safe when you're filming. This will be given out to all of the cast and other people you will be working with. You have to check all of your sets and make sure that they are safe otherwise no one can work on it. If someone has allergies or any other problems with the risk assessment or any of the sets, props, ect then you need to communicate with the person who is making the production or the person who made the risk assessment.

Call sheet-

A call sheet is for the people you're working with so they know where to go and it will most likely have directions on how to get the place you're filming. If people don't know where to go you will miss out on filming time and then it will take you longer to make your TV production. Also you might have a certain amount of time on each set which means that your cast need to be there so make sure your call sheet has the right time and directions to your TV productions destination. If everyone is there and everyone know where to go then your production should run smoothly.

 Storyboard-

Storyboards are made so you know how the production is going to go. You can do it on a computer or you can draw them out. Its really time consuming because you have to make sure the storyboard matches the descriptions on the script. It especially takes long if you draw them out because you have to add details from the script and match them with your drawings. You need to talk with the people you are making your TV production with so then you definitely listen to each others ideas and put the final thing on your storyboard and if you would like to change anything you need to discuss that to. Its important to communicate with each other on this part because if you have a great idea it might improve your TV production. Always share your ideas!


Schedule-

You need the schedule so then you know what order to everything for example to start off with writing your script, then script breakdown, ect. If you don't do it in order you might miss out on things or do something but not do it in as much detail as you wanted to. Also if you miss out on something you might remember at last minute and rush it or you might miss it out all together. But you might do it in the wrong order which will lead to you becoming confused and possibly messing your production up. If you don't do the schedule correctly it could cost you a lot of time and money and you messing up your production. You should talk with everyone to organise times and seeing when they can be at the places you need them to be at so you get your production made correctly. You need to find time to audition people and to make time to find props.  Try to stick with the schedule because then your production will produce more smoothly and easier.


For if you're making a film:

If you're choosing to do a film production ad you want to do it correctly, nicely and professionally you need to read the following:

Script-

When you write the script you need to use capital letters for your characters name so then we know if its a new character but don't do that every time you introduce them. You only need to do that once. Also if there character name changes for example if you give them a new nickname you still have to write there original name otherwise when people read the script they might become confused. Also the only people allowed to read the script are the screen writers, script editors and producer. When you are completely finished with the script (probably after the script breakdown) you have to lock the script. That means that you can not add anything else to the script. You need to know who is going to be in the script and what role they are playing. You need to write every detail about what is happening in your film. This might take a long time but if you don't do it right you will have to start all over again which will make your film production take even longer.

Script breakdown-

You need to see if anyone else has any idea's for the script (the people who are involved with the script).  They could help you improve your story, script and film. You need to make time so you can listen to everyone's opinions before you lock the script.

Budget-

You need to work out how much money you need for your film production and to make sure you don't go over the budget. Also depending on your idea, some things could cost a lot more than expected so you need to be prepared for that and make sure that the film props and sets are not out of your budget. Also if you have something that needs insurance you will have to talk to some insurance advisors before purchase it and bring it on set. But you will also have to have enough money to pay everyone who is helping you with the production. However if you're making a small/short film like I did you might need all of those people which means you will not have to have a huge budget or you could try and find people who might volunteer to help you. But that's up to you.

Risk assessment-

You need to make sure that's your sets are safe and secure before anyone goes on them. It might take a lot of time and communication because you need to talk to other people who are helping you or making the sets so you can make sure that the safety matches up to the risk assessment.


Call sheet-

The call sheet will help people who are helping out with your production. It will let them know where to go and how to get there. The call sheet should also come with directions. If you didn't have that your actor/actress might turn up late which you might have to start filming late and it will just ruin the work flow. It will also ruin the work flow if anyone else is late. Also you will need to make sure you have all of your resources because you might not be able shoot certain scenes with out them.

Storyboard-

When you make a storyboard you need to talk to certain people around you so then you can get some artist inspiration or even help you add some new ideas. They can also check if your work is sensible or correct. You can draw your storyboard which might take a bit longer but you don't have to go into to much detail you just need to make sure that you put enough detail in your drawing that it matches the description in you script. You can save time by doing them on the computer but you might no be able to do it in as much detail.

Schedule-

The reason you make these is so then you can make your film production easily. If you don't organise it correctly you could lose out on time when you could be filming you need to communicate with people to find out what time is best for them to be at certain places, or for certain auditions, ect.


For if you're making a video-

When you make a video it could be slightly different. If you are making a video production you need to:

Script-

You need to make sure your script is up to professional standards and that everything is correct. If you write the script wrong it will take you a long time to correct it. ( look above at the other script parts if you're doing a professional type of video). If its just a random video you usually don't need big professional scripts.

Script breakdown-

This will help you know what props you need and what other things you need for your production. If you have a script breakdown it will help you have an easier work flow. Which means that you are less likely to get confused and not know what to do next. You need to talk to other people in your 'team' because you might need to purchase something for example a prop and they need to know what specific prop you need otherwise you could get the completely wrong thing and then you might not be able to film a certain scene.

Budget-

Depending on what type of production you are trying to do you might need a bigger budget or a smaller budget. You need to communicate with your 'team' so you can decide on the right budget for your production. You don't want to over pay someone for acting or for purchasing a prop when they could have found the same thing cheaper.  You need to keep communicating with your video production team so you can keep up with how much you're spending on the production.

Risk assessment-

No matter what production you do you need a risk assessment. This is so then you can keep the people in your production safe. If you don't have a risk assessment and someone gets hurt you can get in serious trouble. So you need to check over the risk assessment. You need to make sure you get all possible risks on the risk assessment. You need to talk to people about the risk assessment so you can find out about all possible risks.

Call sheet-

You need this so then the people in your production know where to go and how to get there (it should have directions). If it doesn't come with directions then people wont turn up and you wont have anyone to film your production.

Storyboard-

You need a storyboard so then you can have a easy work flow and storyboards help people with the descriptions from the script because some people just do better with pictures. You can choose if you want to do it on the computer or you can draw it.

Schedule-

A schedule also helps you with an easy work flow. If you don't have a schedule you will miss out on certain things or even do some things wrong. If you do them wrong you will have to do them again and that just means you're wasting the little time that you have to film your video. You might find out that you don't have certain props then you cant do certain scenes.

 

Story-boards and shot choices

 

 

Story-boards and shot choices.

 

 

 

What is the connection between story-boards and shot choices?

 

The connection between story-boards and shot choices is that when you make a story-board you are planning out the shots you want to take and you draw it out to match the scenes/script.

 

 

 

 

How are story-boards are used in production-

 

Story-boards are used in production because it is an easy/good way to set out your ideas. Also people will most likely understand it more than reading descriptions of a scenery on a script. It is also a good way to see how you want a shot of a scene to be filmed and at what angles you want the camera's to be.

 

 

 

 

 

 

Script

Type of Shot	Photo/Storyboard	Action	Dialogue
MS (mid shot)		Gabriella is on a bus on the way to the cinema and is looking out the window listening to music
LS (long shot)		Gabrielle looks out the window and sees her friend outside of the cinema
WS (wide shot)		Gabriella meets up with her friend Zoe outside of the cinema	Gabriella: Hi how are you? I haven’t seen you in ages!   Zoe: I’m fine thanks and I know I’ve missed you! How are you?   Gabriella: I fine to thanks.
MS (mid shot)		Gabriella and Zoe are sat in the cinema watching a film	Zoe:*whispering* We should have went to see a different film… this is rubbish. Gabriella: Really? I think it’s funny. But I guess it’s kind of weird.

 

 



learning about codecs

Learning about Codecs-

Codec-A device or program that compresses data to enable faster transmission and decompresses received data. 

H.264-Is a video compression technology. But is commonly used for recording formats, and distribution of video content. 

Pro Res- Is a video compression format that was made by Apple Inc.

Bit rate- In telecommunications and computing, bit rate or as variable R) is the number of bits that are conveyed or processed per unit of time.

Work Flow- 

The sequence of industrial, administrative or other processes through which a piece of work passes from initiation to completion.

The History Of Editing

The History Of Editing.

The Lumiere Brothers

Born-

 Auguste Lumiere was born October 19th, 1862, France 

Louis Lumiere was born October 5th, 1864, France 

 Died-

 Auguste Lumiere died April 10th,1954

Louis Lumiere died June 6th,1948

They where french brothers who where the first film makers in history. Also the brothers are famous for making the first moving picture film. This lead to them making the first cinematography and this is also where the word 'Cinema' came from.

                                       

                                          

Marie-George-Jean Melies-

Born- December 8th 1861 and is from France, Paris.

Died- January 21st 1938 in France, Paris.

Marie-George-Jean Melies who is also know as George Melies is know for being an amazing French illusionist and film maker. In the early 1900s he also famous for many technical and narrative developments in the start of cinema making.  He made a historically famous little film called 'A Trip To The Moon' which was made September 1st 1902. Also George was the inventor of the jump cut. The jump cut was discovered when he was filming a bus leaving and the camera got jammed and when it started to work again there was another car in its place. This was a brand new discovery and this is how editing started to be discovered. It was also when they discovered that time was compressed and editing is all about time and compression. 

Edwin Stanton Porter-

Born-April 21st, 1870, Pennsylvania, United States.

Died-April 30th 1941, New York City, United States.

Edwin Stanton Porter worked in a manufacturing company and in the Players film company. However Edwin was most famous for being a director, producer, studio manager and a cinematographer. Edwin made over 250 films in his life time. One of his most important films he made was called 'Jack and the beanstalk'. Edwin contributed to film making by creating new, electrical devises that actually improved communications throughout film making.

David Llewelyn Wark Griffith (D.W)-

Born- January 22nd 1875, Kentucky, United States.

Died-  July 23rd 1948, Los Angeles, United States.

David Llewelyn Wark Griffith who is mostly known as D.W Griffith is famous for being an American film director in the early 1900s  and he made a film called 'The Birth Of A Nation.' He was popular in the film making world because he was the first person to think about moving the camera to get different camera angles. Also he created something called the '180 rule'. This was when you had more than one camera but they where put on certain angles so you can not see the other cameras but you could see the actors from different angles. This was known as continuity editing.